Hippocampus N°2. From the Series Hippocampus

35 x 59 x 10 cm, mixed technique, 2019.

Hippocampus N°2. From the Series Hippocampus

35 x 59 x 10 cm, mixed technique, 2019

Hippocampus N°2. From the Series Hippocampus

35 x 59 x 10 cm, mixed technique, 2019

Hippocampus N°2. From the Series Hippocampus

35 x 59 x 10 cm, mixed technique, 2019

Hippocampus N°2. From the Series Hippocampus

35 x 59 x 10 cm, mixed technique, 2019

Hippocampus N°2. From the Series Hippocampus

35 x 59 x 10 cm, mixed technique, 2019

From the Series Hippocampus

14 x 10 x 3 cm, mixed technique, 2017.

From the Series Hippocampus

14 x 10 x 3 cm, mixed technique, 2017.

From the Series Hippocampus

14 x 10 x 3 cm, mixed technique, 2017.

From the Series Hippocampus

14 x 10 x 3 cm, mixed technique, 2017.

HIPPOCAMPPUS

It has two purposes, the first, to pay homage and to humanize the victims of the internal military conflict, especially the victims of the Trujillo Valle massacre, with their testimonial accounts made in 2013 for my undergraduate research project. their memories in my region, because if the victims are dehumanized we, the spectators, too, there is no more path of humanization than to take charge of the other’s Inhumanity. (Primo Levi cited by Reyes Mate, 1987); And second, to insist on keeping memory alive as an asset for the present.

In the series, electronic artificial memories, such as Ram memories, hard drives, USB memories, among others, are the main resources.

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